A professional actress since 2020. She has worked with Né Barros,Roberto Merino, Nuno Carinhas, Carlos Pimenta, and Emília Silvestre.She participated in several productions, including directing some, at the Santa Cecília Music School, \"A Birra do Morto\" (2013), \"O Bairro doAmor\" (2015), \"0 Princepezinho\" (2016), \"O Pai Tirano\" (2017), all showsin partnership with the company ETCetera Teatro. In the year 2017, shewas part of the cast of \"A Casa de Bernarda Alba\" by Frederico GarciaLorca, a piece that was part of the 41st FITEI, staged by Luísa Pinto. Shealso presented the musical \"Geração Glee\" directed by MartinCallaghan, In 2018 she participated in the 1st International CircusFestival of Porto in the city\'s Coliseu, with the show \"Calçada\", with thestaging by Eduardo Dias and Ana Pinto. In 2018 she contributed oneof her texts to the book \"S / CiSMO\", a celebration of the 70thanniversary of the University Theater of Porto. In 2019 she presentedwith Mala Voadora the show \"A Manual on Work and Happiness\",directed by Maria Jorge and Jorge Andrade at Teatro do CampoAlegre. In the same year at the DDD Festival, the show \"Clarão\" by thecompany Circolando, staged by André Braga and Claúdia Figueiredo,premieres at the Teatro Nacional de São João. In 2020 she wrote her first play: \"Testimonies of my sleeping body\". She integrated several short films for academic and institutional uses, highlighting theperformance \"Vulgaridades\" awarded by the writer João de Nascimento. At the end of that year, she built and still develops the project \"Atlas of Utopian Instruments\" with the musical group Sonoscopia, this creation is already included in the Expansion Culture program in Oporto. In addition to the private acting classes she already taught, Raquel started in 2021, her path as an Art´s teacher in Basic Education.
She´s a chronicler, a critic of cinema theatre, literature, and games in the magazines: Rua de Baixo, Jornal Universitário do Porto, and Central Comics